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NYROCK: Can you give me a little background on the band?
TOBIN:
We come from Northern California, a little town called Vacaville. We
were fortunate enough to build up our own hometown scene and then
branched out: Sacramento, San Francisco. They're like our second
homes. Then we moved on to LA.
I'm the youngest one. I'm 20. The oldest one, Jerry [guitarist], is
25. The rest of the guys are 23.
We've been doing this for a long time. The band started in '93 at a
talent show in high school. I wasn't in the band then. I've been
with the band for five and a half years.
It was pretty funny, when they first started out they just had a
bass player, a drummer, a singer and a trombone player. Like Chili
Peppers style.
NYROCK: When did it become full time?
TOBIN:
When we got to quit our day jobs. That was when we got signed back
in October [1999]. Everything happened pretty quick. They threw us
in the studio and got the record out like boom.
NYROCK: Tell me about the name "Papa Roach"?
TOBIN:
It doesn't have anything to do with weed, just so you know. A lot of
people think it does.
Our singer's grandpa, his last name was Roach. And they called him
Papa Roach. They were fumbling around with names way back in the day…
There was this old jazz album from this cat named Poncho Sanchez
called Papa Gato. I guess they wanted to name the band that, but our
singer was like, "No, no, name it Papa Roach. That was my
grandfather's name." So, that's where they got it from.
And we just kind of made our own meaning out of it over time.... The
cockroach being the symbol of longevity. Cockroaches can survive
anything, a nuclear holocaust. They'll always be around.
NYROCK: You have a lot of heavy themes going on in your lyrics:
suicide, alcoholism, greed, betrayal. Tell me a little about the
thought behind the lyrics. Do you think it's important to address
such issues?
TOBIN:
I think it's important because kids can connect. They don't feel so
alone. When they hear those lyrics they realize there are other
people out there who have been through the same stuff and are
getting through it. I don't think it's anything consciously done. We
write about things that have happened to our singer, specifically,
and friends around us. It's real life stuff. We're not writing about
shit that we don't know about, like girls and cars and money – sex,
drugs, and rock and roll. We only know real life bullshit that
happens.
We like the fact that kids come up to us and are like, "We totally
connect to the lyrics in this song. That's my life."
We're always going to write music that is true to ourselves and the
people around us, not making up bullshit just to sell records.
NYROCK: Anything you want to say to fans, critics, and readers alike?
TOBIN:
We've been doing this for a while. A lot of people think that we
just came up in the scene. Like some over-night sensation. It wasn't
like we just got lucky. We worked our asses off for this. We're
grateful for our loyal fans.
It's like, you're living your life. You have a normal life. You do
your 9-to-5 job – that you hate – and you deal with all the drama
around you. And all of a sudden your band gets signed and you're on
the road and you're in a tour bus and you're playing shows in every
city. I mean, we're totally happy because this is what we love to do
but our lives have been totally turned upside down. There's always
going to be that fine line between good and evil. We're always going
to recognize what's good and what's not.
We're just trying to have fun. Make good music. Play good-vibe rock
shows and entertain people.
NYROCK: How is DreamWorks Records treating you?
TOBIN:
The label is great. We love DreamWorks. We found a great home. The
cool thing is they let us do whatever we want. Whatever we want.
They didn't have any say.
We didn't expect all this to come, at least so quickly. We're really
grateful for everything. We just hope that people don't think we're
selling out. A lot of people don't realize that we don't have
control over success or what happens. We're just out there doing our
thing, doing what we love, making the music that we want to make. If
people like our music, what's wrong with that?
So we're just gonna keep on going. We strive for longevity. We're
not trying to get up in this game and out – just make a quick
one-hit wonder. We want to do this for a long time because this is
what we love to do. I'm actually quite curious to see what's going
to happen.
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